{"id":4124,"date":"2025-08-26T13:02:06","date_gmt":"2025-08-26T16:02:06","guid":{"rendered":"https:\/\/apdea.com.ar\/web\/?p=4124"},"modified":"2026-04-28T20:42:28","modified_gmt":"2026-04-28T23:42:28","slug":"dos-cossas-nuestras","status":"publish","type":"post","link":"https:\/\/apdea.com.ar\/web\/dos-cossas-nuestras\/","title":{"rendered":"Dos COSSAs nuestras"},"content":{"rendered":"\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:36% auto\"><figure class=\"wp-block-media-text__media\"><img fetchpriority=\"high\" decoding=\"async\" width=\"820\" height=\"1024\" src=\"https:\/\/apdea.com.ar\/web\/wp-content\/uploads\/2025\/08\/2cosasnuestras-820x1024.png\" alt=\"\" class=\"wp-image-4125 size-full\" srcset=\"https:\/\/apdea.com.ar\/web\/wp-content\/uploads\/2025\/08\/2cosasnuestras-820x1024.png 820w, https:\/\/apdea.com.ar\/web\/wp-content\/uploads\/2025\/08\/2cosasnuestras-240x300.png 240w, https:\/\/apdea.com.ar\/web\/wp-content\/uploads\/2025\/08\/2cosasnuestras-768x959.png 768w, https:\/\/apdea.com.ar\/web\/wp-content\/uploads\/2025\/08\/2cosasnuestras-600x749.png 600w, https:\/\/apdea.com.ar\/web\/wp-content\/uploads\/2025\/08\/2cosasnuestras.png 1025w\" sizes=\"(max-width: 820px) 100vw, 820px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><em>Dos obras de Tito Cossa. <br>Dos etapas.<br>Una misma identidad.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><em>\u201c<strong>Dos COSSAs nuestras<\/strong>\u201d, es un espect\u00e1culo que hermana dos obras breves de Roberto Cossa y que surge de la necesidad de un homenaje permanente para continuar apropi\u00e1ndonos de su inagotable herencia.<\/em><\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201c<strong>La \u00d1ata contra el libro<\/strong>\u201d, escrita en los a\u00f1os 60, parafraseando desde el tango la particular relaci\u00f3n con la hoja en blanco, nos adentra en una etapa hist\u00f3rica y cultural que bordea los ribetes del grotesco, retratando la soledad, el amor y la amistad.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Y la inolvidable \u201c<strong>Gris de Ausencia<\/strong>\u201d, obra insignia de Teatro Abierto, que con su dolorosa, pintoresca y definitivamente grotesca semblanza sobre el exilio y el desarraigo, supo darnos tanto a quienes formamos parte de aquella movida cultural como a los espectadores que la acompa\u00f1aron, una formidable herramienta contra la censura.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Seguinos en nuestras redes: @doscossas.nuestras<em><strong>.<\/strong><\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Equipo <\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Autor\u00eda: <strong>Roberto Tito Cossa<\/strong><br>Act\u00faan: <strong>Joaquin Cejas, Hugo Dezillio, Jose Manuel Espeche, Walter Ferreyra Ramos, D\u00e9borah Fideleff, Patricio Gonzalo, Jorge Paccini, Elena Petraglia, Paloma Santos, Maria Nydia Ursi-Duc\u00f3<\/strong><br>M\u00fasicos: <strong>Mariano Cossa, Carla Vianello<\/strong><br>Dise\u00f1o de vestuario: <strong>Alejandro Mateo<\/strong><br>Dise\u00f1o de escenograf\u00eda: <strong>Alejandro Mateo<\/strong><br>Dise\u00f1o de luces: <strong>Norberto Gonzalo, Cristina Lahet<\/strong><br>Realizaci\u00f3n de escenografia: <strong>Patricio Gonzalo, Norma Rolandi<\/strong><br>M\u00fasica: <strong>Mariano Cossa<\/strong><br>Fotograf\u00eda: <strong>Andrea D\u00edaz, Ana Maria Ferrari, Walter Cesar Remus<\/strong><br>Dise\u00f1o gr\u00e1fico: <strong>Leandro Correa<\/strong><br>Asistencia de direcci\u00f3n: <strong>Sof\u00eda Ibarra<\/strong><br>Producci\u00f3n ejecutiva: <strong>Claudia D\u00edaz<\/strong><br>Producci\u00f3n general: <strong>Teatro La M\u00e1scara<\/strong><br>Direcci\u00f3n: <strong>Norberto Gonzalo<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-4400743a2ab355308e90e342273e0caa wp-block-paragraph\"><strong>Entradas por <a href=\"https:\/\/www.alternativateatral.com\/obra96920-2-cossas-nuestras-la-nata-contra-el-libro-gris-de-ausencia\" target=\"_blank\" rel=\"noreferrer noopener\">ALTERNATIVA TEATRAL<\/a> <\/strong><br>Entrada Solidaria sin numerar: $ 25.000,-<br>Platea sin numerar $ 20.000,-<br>Jub. y Est. $ 14.000,- (Boleter\u00eda)<\/p>\n\n\n\n<h4 class=\"wp-block-heading has-black-color has-text-color has-background has-link-color wp-elements-6e8d4c9d54e16adcfb89a68051425a3a\" style=\"background-color:#ecda9e\"><strong>Soc. APDEA 2&#215;1 (Boleter\u00eda presentando carnet de socio).<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dos obras de Tito Cossa. Dos etapas.Una misma identidad. \u201cDos COSSAs nuestras\u201d, es un espect\u00e1culo que hermana dos obras breves de Roberto Cossa y que surge de la necesidad de un homenaje permanente para continuar apropi\u00e1ndonos de su inagotable herencia. \u201cLa \u00d1ata contra el libro\u201d, escrita en los a\u00f1os 60, parafraseando desde el tango la [&hellip;]<\/p>\n","protected":false},"author":96739723,"featured_media":4125,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[49],"tags":[],"class_list":["post-4124","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cartelera","post-with-thumbnail","post-with-thumbnail-large"],"rttpg_featured_image_url":{"full":["https:\/\/apdea.com.ar\/web\/wp-content\/uploads\/2025\/08\/2cosasnuestras.png",1025,1280,false],"landscape":["https:\/\/apdea.com.ar\/web\/wp-content\/uploads\/2025\/08\/2cosasnuestras.png",1025,1280,false],"portraits":["https:\/\/apdea.com.ar\/web\/wp-content\/uploads\/2025\/08\/2cosasnuestras.png",1025,1280,false],"thumbnail":["https:\/\/apdea.com.ar\/web\/wp-content\/uploads\/2025\/08\/2cosasnuestras-150x150.png",150,150,true],"medium":["https:\/\/apdea.com.ar\/web\/wp-content\/uploads\/2025\/08\/2cosasnuestras-240x300.png",240,300,true],"large":["https:\/\/apdea.com.ar\/web\/wp-content\/uploads\/2025\/08\/2cosasnuestras-820x1024.png",720,899,true],"post-slider-thumb-size":["https:\/\/apdea.com.ar\/web\/wp-content\/uploads\/2025\/08\/2cosasnuestras-330x190.png",330,190,true],"1536x1536":["https:\/\/apdea.com.ar\/web\/wp-content\/uploads\/2025\/08\/2cosasnuestras.png",1025,1280,false],"2048x2048":["https:\/\/apdea.com.ar\/web\/wp-content\/uploads\/2025\/08\/2cosasnuestras.png",1025,1280,false],"post-thumbnail":["https:\/\/apdea.com.ar\/web\/wp-content\/uploads\/2025\/08\/2cosasnuestras-720x380.png",720,380,true],"vantage-thumbnail-no-sidebar":["https:\/\/apdea.com.ar\/web\/wp-content\/uploads\/2025\/08\/2cosasnuestras-1025x380.png",1025,380,true],"vantage-slide":["https:\/\/apdea.com.ar\/web\/wp-content\/uploads\/2025\/08\/2cosasnuestras-960x480.png",960,480,true],"vantage-carousel":["https:\/\/apdea.com.ar\/web\/wp-content\/uploads\/2025\/08\/2cosasnuestras-272x182.png",272,182,true],"vantage-grid-loop":["https:\/\/apdea.com.ar\/web\/wp-content\/uploads\/2025\/08\/2cosasnuestras-436x272.png",436,272,true],"woocommerce_thumbnail":["https:\/\/apdea.com.ar\/web\/wp-content\/uploads\/2025\/08\/2cosasnuestras-300x300.png",300,300,true],"woocommerce_single":["https:\/\/apdea.com.ar\/web\/wp-content\/uploads\/2025\/08\/2cosasnuestras-600x749.png",600,749,true],"woocommerce_gallery_thumbnail":["https:\/\/apdea.com.ar\/web\/wp-content\/uploads\/2025\/08\/2cosasnuestras-100x100.png",100,100,true],"sow-carousel-default":["https:\/\/apdea.com.ar\/web\/wp-content\/uploads\/2025\/08\/2cosasnuestras-272x182.png",272,182,true]},"rttpg_author":{"display_name":"Webmaster Dos","author_link":"https:\/\/apdea.com.ar\/web\/author\/webmaster2\/"},"rttpg_comment":0,"rttpg_category":"<a href=\"https:\/\/apdea.com.ar\/web\/category\/cartelera\/\" rel=\"category tag\">CARTELERA<\/a>","rttpg_excerpt":"Dos obras de Tito Cossa. Dos etapas.Una misma identidad. \u201cDos COSSAs nuestras\u201d, es un espect\u00e1culo que hermana dos obras breves de Roberto Cossa y que surge de la necesidad de un homenaje permanente para continuar apropi\u00e1ndonos de su inagotable herencia. \u201cLa \u00d1ata contra el libro\u201d, escrita en los a\u00f1os 60, parafraseando desde el tango la&hellip;","_links":{"self":[{"href":"https:\/\/apdea.com.ar\/web\/wp-json\/wp\/v2\/posts\/4124","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/apdea.com.ar\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/apdea.com.ar\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/apdea.com.ar\/web\/wp-json\/wp\/v2\/users\/96739723"}],"replies":[{"embeddable":true,"href":"https:\/\/apdea.com.ar\/web\/wp-json\/wp\/v2\/comments?post=4124"}],"version-history":[{"count":3,"href":"https:\/\/apdea.com.ar\/web\/wp-json\/wp\/v2\/posts\/4124\/revisions"}],"predecessor-version":[{"id":4633,"href":"https:\/\/apdea.com.ar\/web\/wp-json\/wp\/v2\/posts\/4124\/revisions\/4633"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/apdea.com.ar\/web\/wp-json\/wp\/v2\/media\/4125"}],"wp:attachment":[{"href":"https:\/\/apdea.com.ar\/web\/wp-json\/wp\/v2\/media?parent=4124"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/apdea.com.ar\/web\/wp-json\/wp\/v2\/categories?post=4124"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/apdea.com.ar\/web\/wp-json\/wp\/v2\/tags?post=4124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}